ARTIST STATEMENT

My multidisciplinary art practice is anchored in a socio-political inquiry into
communication and language, and their relationship to power. I am interested in
tensions surrounding political correctness and mechanisms of inclusion and exclusion.
Over recent years, my research has focused on censorship and protest, examining their
dynamics and interrelations in both authoritarian regimes and democracies.
I work across various media, including object-based work, sculpture, installation, video,
photography, and sound, using methods that range from digital fabrication to weaving
and casting. I often engage with archival material, elements of popular culture, and
references found in public space, moving between processes of abstraction and
material rawness, transforming these sources into signifiers within my practice. I am
particularly drawn to a process-based approach to work. My making processes, along
with their performative dimension, are an integral part of my projects, which often invite
audience interaction.
I understand the role of the artist as a particular kind of researcher attentive to the
dysfunctional aspects of reality. Accordingly, my work is informed by context—the here
and now: this precise moment in history, in the country, the city, and the spaces we
inhabit.