ARTIST STATEMENT

My multidisciplinary art practice is anchored in a socio-political inquiry into communication and language, shaped by power relations and politics. I am interested in tensions surrounding political correctness and “cancel culture.” Over recent years, my research has focused on censorship and protest, examining their dynamics and interrelations in both authoritarian regimes and democracies.

I work across various media, including object, sculpture, installation, video, video installation, photography, and sound, using methods that range from digital fabrication to weaving and casting. I often engage with archival material, elements of popular culture, and references found in public space, moving between processes of abstraction and material rawness, transforming them into signifiers within my practice. I am particularly drawn to a process-based approach to work. My making processes, along with their performative dimension, is an integral part of my projects, which often invite audience interaction.

I understand the role of the artist as a particular kind of researcher attentive to the dysfunctional aspects of reality. Accordingly, my work is informed by context—the here and now: this precise moment in history, in the country, the city, and the spaces we inhabit.